Home Diary A Friday Visit to Singapore’s Indian Heritage Centre

A Friday Visit to Singapore’s Indian Heritage Centre

Indian Heritage Centre Review
Indian Heritage Centre Review

Visiting the permanent exhibition of the Indian Heritage Centre on a Friday evening.


Since starting this blog, I’ve passed by the Indian Heritage Centre at No. 5 Campbell Lane numerous times, but have never gone in since I’m always in the area after dark.

At Little India after sunset, i.e., closing hours, because I would be there taking Deepavali festive pictures. And each year, I’d gawk at the illuminated façade of the centre and think to myself, man, I really ought to head in someday. After which I forget about it because of Christmas and the usual long list of year-end festive events.

Looking back, it’s such a pity. A real loss for the museum fanboy in me too; I only found out last week that the centre contains a mini-museum on the upper floors.

And the displays are spectacular! The name of the centre suggests a focus on local Indian life and contributions, but an entire floor was dedicated to sub-continental religious art. And I don’t mean just Hinduism art.

There’s even a stunning double-storey ceramic façade from 19th Century Pakistan, and a fantastically ornate wooden Chettinad doorway. I was alone when viewing these. During those moments, believe me, I felt as if I’ve been transported to another age and land.

Indian Heritage Centre at 5 Campbell Lane

From Ancient Religious Art to Modern Symbols, to Local Leaders

The permanent exhibition of the Indian Heritage Centre, titled Indians in Singapore – Past & Present, starts on the 4th floor and ends on the 3rd, and is divided into five galleries. As for the eye-catching building itself, the ultramodern glass façade was inspired by stepwells. When illuminated at night, the façade is easily the most futuristic structure in the vicinity.

And as esoteric as the permanent exhibition might seem at first glance, it follows a unifying theme. In short, it depicts the historical and cultural links between the South Asia and Southeast Asia over two millennia, and how that led to the Indians becoming one of the major races of Singapore.

The exhibition also ends with interactive summaries of Indian contributions to Singapore. With a wall honouring famous Singaporean Indian pioneers. (For local visitors, the wall is kinda of, how many of these great leaders do you know?)

Right after the entrance on the 4th floor was an auditorium with a video wall introduction.
The 4th floor consists of two galleries and most of it is devoted to religious art. Here’s an elegant 12th/13th Century Chola Period depiction of Lord Shiva and his consort, Parvati.
The mighty Garuda atop a Naga King, and a 5th Century Gupta Dynasty Head of Buddha.
Another depiction of Lord Shiva. Known as Sadashiva (the Eternal Shiva with five faces), this is also from the 11th Century Chola Period.
A forest ogre from 19th Century Myanmar. The smaller pic is, of course, shadow puppets (Wayang Kulit) from Java.

To highlight, half of the first gallery showcases religious art from both the Indian Sub-continent and Southeast Asia, and through this, illustrates the cultural exchanges between the two regions in ancient and medieval times. For example, the above Javanese Wayang Kulit puppets feature characters from the Mahabarata, one of the two great Sanskrit epics of India.

Christian artefacts that demonstrate the localisation of Christianity in India.
The incredible Chettinad doorway I mentioned earlier! Chettinad is the hometown of Singapore’s famous Chettiar moneylenders, one of the earliest migrants groups to settle here. The Chettiars are fond of building palatial homes and temples too. This doorway has some 5000 figures.
A huge, HUGE head of Aravan, the self-sacrificing son of Arjuna, further down the gallery. This sculpture is made of wood and polychrome. Based on some images that I found online, the sculpture was also previously at the Asian Civilisations Museum.

Incidentally, there’s a huge Aravan head sculpture at Sri Mariamman Temple too. For many tourists, that sculpture is probably one of the most “exotic” displayz of Singapore’s oldest Hindu temple.

Right behind Aravan is this lovely wooden statue of Nandi, Lord Shiva’s steed and the sacred bull of Hinduism.
Gallery 2 of the permanent exhibit outlines the migratory routes from the Indian Sub-continent to Southeast Asia.
There’s a chance to get up-close-and-personal with the stepwell-inspired façade! An integrated staircase connects the 3rd and the 4th floor. The short descent comes with a sweeping view of the nearby shophouses too.
The glorious glazed tile mosque façade from 19th Century Multan, Pakistan. Visitors can enjoy the stunning geometric beauty from both the 3rd and 4th floors.

Pioneers: Early Indians in Singapore and Malaya

This gallery starts and ends on the 3rd floor, and highlights the many occupations and community experiences of Indian pioneers during Singapore’s colonial years.

Mannequins depict the most common occupations associated with Singapore’s Indian pioneers.
The uniforms on display would be a delight for history buffs. (And perhaps, cosplayers?)
This beautiful panorama by Navin Rawanchaikul, titled Passage to Little India, illustrates the many faces of the Little India district. Painted in billboard-style and inspired by Indian cinema art, it is every bit as fascinating to look at as the Multan façade and Chettinad doorway

Bapu Makes an Appearance

The fourth gallery outlines the social and political awakening of the Sub-continent in the 20th century, with huge busts of India’s most famous nationalistic heroes being the star displays. All were gifted to the Indian Heritage Centre by India to commemorate half a century of diplomatic relations between the two countries.

And while the struggles of these larger-than-life characters seem so far away from Singapore, I suppose they influenced the lives of Singaporean South Asian communities in more ways than one. Hey, I didn’t know part of Gandhi’s ashes were scattered into the Singapore River! One of several historical pictures displayed here commemorates this moment.  

Mahatma Gandhi, the Father of Modern India. After rewatching the 1982 film a few years ago, I spent a few nights researching the man’s social and political philosophies. I can’t say I agree with all of his thoughts, but they did inspire me in some areas.

Making of the Nation: Contributions of Indians in Singapore

The last and the most interactive segment of the permanent exhibition, this final gallery celebrates the national contributions of the Singaporean Indian community. An accompanying mural also honours famous Singaporean Indian pioneers and leaders.

Gallery 5 is also the most modern in appearance. (I suppose, the exhibition’s way of returning you to the present)

This gallery is informative. For Singaporeans, also a strong reminder of how the Indians have always been an integral pillar of the country.

For me, I think what’s doubly noteworthy is that this final gallery relatively small. There are quite a number of interactive stations, but on the whole, there is much more to see in the other galleries.

As weird as it might sound, I feel this decision gives the permanent exhibition a stronger cosmopolitan appeal. What’s on display is not just a nationalistic celebration of local Indian accomplishments and contributions, but true to the building’s name, a showcase of Indian heritage and culture.

I’m sure most visitors, especially international ones from the West, will appreciate this sensibility.

How to Get to the Indian Heritage Centre

The centre is about equal distance from Little India and Rocher MRT stations. Whichever station you alight at, the easier walking route is to walk alongside Bukit Timah Road/Sungei Road till you see the massive Tekka Centre market. After heading up Serangoon Road, Campbell Road is right beside the first traffic crossing. (There’s a huge fruit stall)

If you’re driving, I think the nearest car park is at Tekka Place.


The Centre is open from Tuesday to Sunday. Opening hours vary, so check the official website before heading over!
Take note that there are free guided tours in English, Tamil, and Mandarin too! English ones are available everyday.


Read my other Home Tourist photo essays.

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A Friday Visit to Singapore's Indian Heritage Centre
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Singapore’s Indian Heritage Centre doesn’t just outline the contributions of local Indians, it’s also a terse introduction to sub-continental history and culture.
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