Free Electone sheet music and registrations for Paula Tsui’s 婚紗背後.
I sat on this for a while. Actually, I had the arrangement cleaned up and recorded before June was even over.
There were various reasons for this relay. In short, let me just say, I wasn’t in the mood to play and record a sad song.
The COVID-19 Pandemic was still going strong. The partial re-opening after two months of weirdly named lockdown didn’t feel as rejuvenating as it should be.
Worse, I had some fracases with official agencies. I more or less … “won” the case, put it that way. But it left such an awful aftertaste I was forced to repeat a certain decision I made five years ago.
A certain decision …
Oh, never mind, I’m behaving like a ditched bride. This isn’t a grouch post but an Electone one. About the arrangement, Fen Sa Bui Hou is frankly, not one of my favourite Paula Tsui songs, although I did use to play it in the 80s.
After debating for a week whether to retry my hand at it, I decided to give it a go mostly because I wanted something different to the upbeat feel of my previous Paula Tsui arrangement. To give a preview, my next and final Paula arrangement will be yet another fast, spirited number. It will also be her most beloved number.
Yamaha Electone Sheet Music and Registration Data for 婚紗背後
Warning! The registration and Finale PrintMusic files are zip files! You might need to disable your virus/malware protection before downloading.
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- This is trimmed. The original version was really long, which was fine because … don’t we all enjoy gawking at Paula as she stands on stage in a glittering gown and just sings. JUST SINGS. But it’s tiring and unnecessary for a Yamaha Electone performance and so I omitted one stanza.
- I fiddled for days trying to achieve the right volume and brilliance for my “Sad Violin” i.e. Registration 2 Lead Voice. In the end, I just couldn’t do it and had to rely on touch. (In other words, be careful not to play Registration 2 portions too harshly. Start gently then apply aftertouch)
- There’s a hell lot of melodic accompaniment in the original recording for the first two stanzas; pardon my language. I’ve added as much as I could without making the left-hand parts excessively hard.
- Like the violin, I couldn’t really get the right feel or brilliance for the trumpets in the choruses. Please feel free to swap or fine-tune if you find them too shrill.
- There’s quite a number of triplets in this arrangement and I admit I didn’t play all of them accurately in my YouTube recording. Actually, for those that I did play accurately, I’m not sure I properly phrased them! Again, amend as per you feel right if you’re downloading my sheet music and registrations.
- Is there anything else to add? I guess … nope! I didn’t try thing new. Neither did I intend for this arrangement to be difficult; it’s a Grade 6-5 at worst. In other words, this is purely for Paula Tsui and retro Cantopop fans. Please have fun with it, and amend/simplify per necessary.
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